Martianus Capella
The Marriage of Philology and Mercury

/34/

Book II
The Marriage

→ lat [98] When Phoebus had set, Night with her starry reins began to climb the limpid heavens, summoning the glittering constellations.1 Then old Bootes kindled the lofy Plaustra [the Wain], and the stars of Draco fierce with coils shone out: Orion now flamed forth in golden armor, drawing in his sultry ascent gleaming Sirius; and that glowing figure too who was arrayed with the flowers of the Nysaean [Bacchus] was crowned with a circlet of varied light.2 Meantime Rumor sped through the trembling ears of the maiden, while Jove’s palace was filled3 with a great shouting.

→ lat [99] At length, when she learned the decrees of the gods, Philology, wakeful though the night was now far advanced, pondered long and anxiously4 with great concern. First she must enter the heavenly assembly, and she must be examined by Jove without preparation, and she must migrate to the heavens and to the gods’ way of life. → lat [100] Then again, she was to be united to the Cyllenian, whom admittedly she had always desired with a remarkable passion, but whom she had barely glimpsed while she was picking blooms amongst certain select little herbs5 and he was running back after being anointed for exercise. What is this? Was she anxiously wondering whether this grand marriage was in her own interest?6 She /35/ had a fear,7 not without substance, that after she had ascended to the sky, she would forgo altogether the myths and legends of mankind, those charming poetic diversities of the Milesian tales.

→ lat [101] And so, first she sought from numbers to discover whether a marriage would be beneficial and whether the winged swiftness of the celestial whirlwind8 would unite with her by a suitable bond in the harmony of marriage. → lat [102] She soon counted up on her fingers the number of letters in her own name and that of the Cyllenian – not the name which the conflicting stories of different nations had given him, not the name which the different rituals of peoples, varying according to the interests and cults of each place, had created, but that name which Jove himself had settled upon him by a celestial proclamation at his birth and which the faulty research of man had claimed was made known only through the ingenuities of the Egyptians. She took from each end of his name the bounding element that is both the first and the perfect terminus of number.9 Next came that number which is worshiped as Lord in all temples, for its cubic solidity.10 In the next position she took a letter which the Samian sage regarded as representing the dual ambiguity of mortal fate.11 Accordingly, the number 1218 flashed forth. → lat [103] Diminishing /36/ this figure by the rule of nine, by substituting units for the tens, she cleverly reduced it to the number three.12 → lat [104] Her own name, which was set out in numeral form as 724, she reduced to the number four;13 these two numbers (three and four) are marked by a harmonious relationship with each other. → lat [105] For the number three is certainly perfect, because it may be rationally arranged as a beginning, a middle, and an end; it alone both makes a line and defines the surfaces of solids (for solids are defined by length and depth);14 furthermore, the triplication of the number three is the first to yield a cube from the odd numbers. Who does not know the threefold harmonies in music? And an odd number is attributed to masculinity. All time changes in a threefold sequence;15 the number three is also the seedbed of perfect numbers, namely of six and of nine, by different forms of connection.16

→ lat [106] It is therefore properly associated with the god of rationality. But Philology, because she is herself a most learned woman, although she is reckoned amongst the female (even) numbers, yet is made perfect by complete computation. For the number four with its parts makes up the whole power of the decad itself17 and is therefore perfect and is called quadrate, as is the Cyllenian himself, with whom are associated the four seasons of the year, the regions of heaven, the elements of earth.18 → lat [107] That celebrated oath of old Pythagoras, who did not refrain from swearing “by the tetrad” – what does that signify except the number of perfect ratio? Within itself it contains the one, the dual, the triad, and is itself the square of two, within which proportions the musical harmonies are produced. /37/ For the ratio three to four is called the epitritus in arithmetical calculation, and it is named the fourth by musicians. Within it lies the ratio three to two, which is a hemiolius, and these two numbers produce the secondary concord called a fifth. The third harmony is called the octave by musicians and is produced by a double ratio that is in the proportion of one to two. And so the number four, being perfect, contains all the concords within its parts, and by the distribution of harmonies it brings together the whole range of songs. Thus, in her examination of agreement among numbers, the clever maiden was delighted. → lat [108] Then she joined them with each other, and three joined to four makes the heptad [seven]. But this number is the perfection of the celestial rationality, as the fullness of sevens testifies. For what else is shown by the passage of the fated climacteric, by the circuits and movements of the planets, and by the viability of the fetus in the seventh month in the darkness of the womb?19 Furthermore, three times three makes nine, while four doubled gives eight. But the proportion nine to eight gives the ratio of the epogdous [major ninth]20 and it has the same value in number as the full octave has in music, which [octave] produces the full tone – that is, a sustained tone of a consonant unity. As a result, there was no intermediate number to upset the harmony and sequence, and the numbers suited each other by their congruent juxtaposition.

→ lat [109] Thus the numbers represented by their names were in concord. Therefore the concord established between them bound their nuptial union with a true proportion, so that the maiden delighted in a marriage so advantageous to herself; but being circumspect, she was disturbed for another reason. For although having no misgivings about her mental capacities, she began to fear for her appearance, her form and physical substance; not without reason was she in a state of trepidation at the spheres of celestial flame21 through which /38/ she must pass, the fires of burning stars which she must endure, though her limbs were still those of a mortal and exhausted because of their meager thinness. → lat [110] But against this she prepared a certain ointment of the old man of Abdera22 in which she put many herbs and green shoots23 mixed in. A magic preparation of the Colchian herb “hundred heads” is given a special power by the inclusion of a tuft of adamantis;24 she was putting this up as some defense against the fires of heaven and the neighborhood of the gods to protect her appearance from the radiance of beauty.25 Then, in the reflection of the moon, she smeared the dewy fluid26 on her body.

/39/ → lat [111] While the maiden was arranging this, her attendant Periergia,27 whether sent by the maiden’s mother or by her own concern (for she was her foster sister), perceived what she was doing. → lat [112] When she peeped through the chinks of the door and saw Philology making these arrangements, she began to rebuke another of her handmaids—whose name was Wakefulness28 and who acted as guard within the bedroom—because she had not allowed the maiden even a little sleep29 to preserve her beauty, although Wakefulness herself was able to do all these things if Philology commanded her. → lat [113] For she claimed that she had already gone around to many places and had found out what skills, what dress and ornaments her dowry—slaves should assume. It was also not unknown to her what the bridegroom himself was doing, what was happening at Jove’s palace, whether Leucothea was lighting her torch and her ruddy light, whether the oarsmen of the sun were awake and the horse of Phosphoros [the daystar] was being groomed. She added innumerable details of this kind, which she had noted by diligent scrutiny.

→ lat [114] Suddenly Philology’s mother, Phronesis [Wisdom], burst into30 the privacy of the bedroom. When Philology saw her she ran to her and kissed her bosom reverently and told her of the aids she had prepared; but the mother stripped her daughter of the clothing and ornaments in which she would have had the courage to enter the society of the gods. She gave her a dress and robe white as milk, which seemed made of that fleece from the precious shrub in which, they say, the sages of India and the inhabitants of the mountain of shadow are clothed, and of threads of shining cotton, as much as that country produces.31 Then she placed on her head a virginal /40/ crown, which shone brightly with the luster of its central gem, from which gleamed forth, cut deep into the stone, like the Trojan Palladium, a maiden wearing a helmet and with her face shielded. → lat [115] The mother thoughtfully also took off the belt which she was wearing and put it on Philology, to make her more appropriately dressed, so that she should not be without the adornments of Phronesis herself. Furthermore, she tied on her feet slippers of pleated papyrus so that no carrion32 should defile her feet. The maiden’s hands were filled with an incense box, shining and heavy with spice.

→ lat [116] And now Aurora, with the modesty befitting a goddess, began to hide the stars with her rosy gown, while kindly day flashed upon the darkness, Dione shone with jewels, and in one gold star Phosphoros appeared. Then glittering frost congeals on the gentle dew, the flocks batter the sheepfold to get to their morning pasture,33 while worry gnaws and beats at weary34 hearts, and sleep, driven out, flees to Lethean shores.

→ lat [117] Before the door, sweet music with manifold charms was raised, the chorus of assembled Muses singing35 in well-trained harmony to honor the marriage ceremony. Flutes, lyres, the grand swell of the water organ blended in tuneful song and with a melodious ending as they became silent for an appropriate interval of unaccompanied singing by the Muses. Then the entire chorus with melodious voices and sweet harmony outstripped the beauty of all the instrumental music, and the following words were poured forth in notes of sacred song:

“Ascend into the temples of heaven, maiden, deserving of such a marriage; your father-in-law Jupiter asks you to rise to the lofty stars.”

→ lat [118] Then, while the others kept quiet a moment, Urania began:36

/41/ “With trust in the divine will and without disputing, behold the assemblies of the stars and the sacred vaults of the heavens; you formerly studied what cause whirled the interdependent spheres, now as their leader you shall assign causes to their sweeping motions. You shall perceive what is the fabric that connects their circuits, what bond encompasses them, and what huge spheres are enclosed within a curving orbit; you will see what drives on and what delays courses of the planets, which rays of the sun inflame the moon or diminish its light, what substance kindles the stars in heaven, and how great are the bodies which heaven spins around, what is the providence of the gods, and what its mode of operation. Ascend into the temples of heaven, maiden, deserving of such a marriage; your father-in-law Jupiter asks vou to rise to the lofty stars.”

→ lat [119] Then sang Calliope:37

“Always a friend to the favoring Muses, for you Magnesian38 rivers and the fountain of the Gorgonian horse39 have poured your drink, for you the Aonid peak,40 green with garlands, puts forth its leaves, while Cirrha41 prepares violets; you know how to chant prophecies to the sweet Muses and to play the lyre of Pindar, and at your word the strings and the sacred plectrum know how to pour forth the Thracian song. Light of our lives, praise always our sacred songs and approve the music that we play. Ascend into the temples of heaven, maiden, deserving of such a marriage; your father-in-law Jupiter asks you to rise to the lofty stars.”

→ lat [120] Thus sang Polymnia:42

“You have been exalted and, though recently of mortal blood, are now endowed with godhead; at last you reap the rewards of /42/ your efforts: the shining sky, the abodes of the gods, and the companionship of Jove. You are used to combining and dispersing a variety of sounds according to the rules of rhythm, to assessing then which syllable, marked with the macron, is pronounced with circumflcxion, which with the mark of brevity the micron curves; to assessing melodies and tones and tunes and all such knowledge, and all that can, when the mind is urged to it, gain the heights of heaven. Ascend into the temples of heaven, maiden, deserving of such a marriage; your father-in-law Jupiter asks you to rise to the lofty stars.”

→ lat [121] Thus sang Melpomene:43

“You are accustomed to sing tragic songs for the theater, or wear the boot of comedy and echo the songs which under your care we offered when sweet music aided us; now to you, maiden,44 our champion and our expositor, made immortal by the theme of your song, to you I sing. For I am happy to adorn your bridal chamber, and may my garlands be acceptable in your service. May you ever seem worthy of an Olympian wedding, ever fairer than the other gods. Ascend into the temples of heaven, maiden, deserving of such a marriage; your father-in-law Jupiter asks you to rise to the lofty stars.”

→ lat [122] Thus sang Clio:45

“You sound forth in the guise of the rhetorician and set free by your passion the man accused, you link together contrary sentiments, building up sophisms by heaping together arguments, now binding something together by the rule of grammar, clever at using your gift of fine speech to play with words that by their double meaning destroy the ordinary sense; now gaze upon the starry threshold of the sky and enjoy the holy whiteness of heaven, for it is precious to see that in its true light. Ascend into the temples of heaven, maiden, deserving of such a marriage; your father-in-law Jupiter asks you to rise to the lofty stars.”

→ lat [123] Next spoke Erato:46

/43/ “O famous maiden, to whom the palace of the Thunderer is open, source of the arts, rightly is the world subject to you, since it was from the beginning apprehended by your rational principles. Why the sacred lightning flashes, whence the echoing thunder47 sounds, what drives the moisture through the opening of the sky when the storm clouds gather, what is brought back by the clearness of spring when the rain clouds march away, why the circle of the year spins round to end all the hurrying centuries—we avow that secrets unknown to others are known to you alone. Ascend into the temples of heaven, maiden, deserving of such a marriage; vour father-in-law Jupiter asks you to rise to the lofty stars.”

→ lat [124] Then sang Terpsichore:48

I am delighted, dear maiden, that through this honor you gain a sight of the stars’ Your industry and the genius of your nature have won this for you. That wakeful concentration49 of vours bestowed this honor on your lucubrations. Having toiled day and night50 on the sacred writings, and knowing the future and being ready to learn, you have understood what the Stoics offer in their sacrifices when the flame puffs from the kindling. For without misgivings, with unhesitating utterance, you anticipate what the smoke tells on the flaming altars of the Sabaeans, what message is brought by air thick with the ash of incense, or what the sure signs foretell by prophetic voices. Ascend into the temples of heaven, maiden, deserving of such a marriage; vour father-in-law Jupiter asks you to rise to the lofty stars.”

→ lat [125] Then Euterpe51 began:

“O maiden, our guide to skillful prophecy, who could ascend to heaven and bring down to pure souls the sacred teachings by which they were able to know themselves, and by which they discerned /44/ and saw with a clear light the decrees of fate and the countenances of the spirits, and who allotted stars to be the minds of Plato and Pythagoras,52 and who has ordered ephemeral creatures to behold the decree of heaven with all obscurity removed:53 rightly ascend to the senate of the Thunderer, you who alone are fit to be married54 to Mercury. Ascend into the temples of heaven, maiden, deserving of such a marriage; your father-in-law Jupiter asks you to rise to the lofty stars.”

→ lat [126] Then Thalia55 spoke:

“O blessed maiden, who take up the marriage bond amid such a singing of the stars, and with such approval from the universe become a daughter-in-law56 of the Thunderer: of which god are you to become the wife? He alone on wandering wing, alert for sudden storms, flies out beyond the stars of the universe, and when he has crossed the straits on high, returns to Tartarus. He alone is able to wield his famous staff before the chariot and white horses57 of the high father; he alone gladly restores the fortunes of Osiris58 as he falls, whom the father of the gods knows to be weighed down by the life-giving seed59 he has discovered; to Mercury his stepmother gladly gave her milky breast;60 hi*> powerful caduceus61 counteracts dread poison; and when he speaks, all /45/ venom is dissolved. He is learned among the gods; but this girl is still more learned. Now, now the arts are blessed, which you two so sanctify that they allow men to rise to heaven and open to them the stars and allow holy prayers to fly up to the clear sky. Through you the mind’s intelligence,62 alert and noble, fills the uttermost depth, through you proven eloquence brings everlasting glory. You bless all subjects, and you bless us, the Muses.”

→ lat [127] While the Muses thus wove their web of song, now singly, now in unison, and in turn repeated their sweet melodies, there came into the maiden’s quarters and her bedroom some matrons dressed with commendable sobriety, their faces beautiful without artifice but glowing with the charm of simplicity. One of them, scrupulous in her careful examination,63 who checked everything with analytical care, was said to be called Prudence. → lat [128] Her sister gave to all their due, and to no one what had not been deserved; she was said to bear the name Justice. → lat [129] The third was praiseworthy for her restraint and contempt of gifts, and from her self-control she received the name Temperance. → lat [130] The last one was very brave and always steadfast in bearing all hardships, ready too with strength of body to undertake all labors; her name was Strength. They approached to embrace and kiss Philology; but when they saw her in her bedroom, cowering full of fear, shunning the light of day, and numb with hesitancy, they turned her body and head into their full view and made her show her face.

→ lat [131] After these, there entered a dignified woman,64 with flowing hair, who was verv proud of the fact that through her Jupiter permitted anyone to ascend to the heavens.65 When the maiden saw /46/ her, she ran to her with the deepest affection, inasmuch as the newcomer herself had prophesied, with certain confidence based on knowledge, that Philology would ascend to heaven, and now the woman had been sent to Philology by Maia’s son himself [Mercury] to conduct her to the marriage. → lat [132] Besides, three splendid girls of equal beauty in face and bearing, clasping each other’s hands and wearing garlands of roses, approached the maiden. One of them kissed Philology on the forehead on the smooth skin between the eyebrows, the second embraced her face, the third her waist; the first that “she might breathe joy and honor into her eyes,”66 the second laid grace upon her tongue, and the third gave her gentleness of spirit. They were called the Graces, and they bestowed charm on whatever they touched. After they had filled the maiden with light, they mingled with the Muses and broke into the rhythmic movements67 and steps of the wedding dance. → lat [133] Then they all danced together, with a great booming of tambours and ringing of cymbals, so much that the sound of the Muses was to some extent drowned by the booming sound of the tambours. To this accompaniment a palanquin was brought in, bedecked with stars, to which they sang their loud songs with the ritual of the mysteries, as was the custom when a goddess-bride was entering the bond of celestial matrimony. → lat [134] There stood before her a woman of reverend countenance, shining with holy and celestial light in all the dignity of a priestess. All the company, when they saw her, paid homage to her glorious majesty as the guardian of all the gods and of the world; her name was Immortality. “O maiden!”68 she said, “the father of the gods has commanded that you be carried to the courts of heaven in this royal palanquin, which no carthborn creature may touch,69 not even yourself before you drink this cup.”

→ lat [135] With these words,70 she lightly felt with her right hand /47/ Philology’s heartbeat and breast; when she found that it was greatly swollen with some inner fullness, she said: “Unless you retch violently and void this matter which is choking your breast, you will never attain the throne of immortality at all.” The girl strained hard and with great effort vomited up the weight she was carrying in her breast. → lat [136] Then that nausea and labored vomit turned into a stream of writings of all kinds. One could see71 what books and what great volumes and the works of how many languages flowed from the mouth of the maiden. There were some made of papyrus which had been smeared with cedar oil, other books were woven of rolls of linen, many were of parchment, and a very few were written on linden bark. → lat [137] There were some written with a sacred ink, whose letters were thought to be representations of living creatures;72 when Immortality saw the writings of these books, she ordered them to be inscribed on certain imposing rocks and placed inside a cave within the sanctuaries of the Egyptians, and she called these stones stelae73 and ordained that they should contain the genealogies of the gods.

→ lat [138] But while the maiden was bringing up such matter in spasms, several young women, of whom some are called the Arts, and others the Disciplines, were straightway collecting whatever the maiden brought forth from her mouth, each one of them taking material for her own essential use and her particular skill. Even the Muses themselves, especially Urania and Calliope, gathered countless volumes into their laps. In some of these books the pages were marked with musical notation and were very long; in others there were circles and straight lines and hemispheres, together with triangles and squares and polygonal shapes drawn to suit the different theorems and elements; then a representation joined together the limbs of various animals into a particular species. There were also /48/ books which contained the harmonics of music and the notations of rhythm and some pieces for singing.

→ lat [139] After the maiden had with travail brought forth from deep inside herself all that store of literary reproduction, worn out and pale with exhaustion,74 she asked help from Immortality, who had witnessed such a great effort. The latter said: “Drink this so that you may be borne up and rise to heaven reinvigorated.”75 → lat [140] From her own mother, Apotheosis, who had come with her and who was already blessing the books which had flowed from the mouth of Philology, touching them with her hand and counting them, Immortality took a smooth, living sphere and gave it to the maiden to drink from. It had the appearance of an egg76 inside, but its outside shone, being anointed with saffron; within that, it seemed transparent with void and a white humor, and then something more solid at the center. When Philology received this, being extremely thirsty after such physical ordeals and the seething of her mind, once the secrets of the sphere had been revealed and she had discovered its extreme sweetness, she drank it in a draught:

and straightway her limbs are strengthened with new <vigor, her fragile thinness passes, the power of earth leaves her, and there comes to her the immortality of heaven, free from the laws of death.

→ lat [141] But when the goddess saw that Philology had drunk the cup of immortality, in order to show her by the svmbol of a wreath that she was leaving earth for heaven and had been made immortal, she crowned the maiden with the wildflower whose name is Everlasting; she ordered her to rid herself of all that she had put on her body as a mortal to protect herself against the power of heaven, /49/ reminding her that those were trifles77 of a transitory and mortal nature. Her mother took all these things away from her after she realized that she had risen beyond earthly concern. → lat [142] Then Philology first of all made an offering to Immortality with a preparation of spice and with her own box of incense, and then made a thank offering to her mother with much sacrifice, because she herself would not now behold Vedius78 and his wife, as Etruria79 used to tell her; nor did she fear the Eumenides, those Chaldean mani-. festations; nor would Apotheosis (the mother of Immortality) burn her with fire, nor bathe her with water;80 nor would she chastise the image81 of her soul according to the teaching of some Syrian;82 nor would she by dying first, according to the ritual of old Colchis, consecrate an immortality bound up in the hands of Charon.83

→ lat [143] Meantime, although she had been ordered to get into the palanquin, she thought it extremely difficult, not to say impossible, since it seemed to be at a verv great height. Consequently, to achieve this, she summoned the faithful ward whom she loved above all others, and with his support she overcame all the difficulty of the ascent; but he, whom she called Labor, not only lifted her right into the palanquin, but swiftly traversed heaven with his mistress. → lat [144] He had for company a brilliant boy, who was not the son of the pleasure-loving Venus84 but was nevertheless called by philosophers Amor; together they did not delay in supporting the palanquin from the forward end. → lat [145] For at the rear, Attention and Wakefulness, /50/ servants dear to the maiden, carried her. Thus Immortality had ordered, that each sex should be able to rise to heaven with Philology. Immediately before her as she ascended went a procession of Muses singing together and the awesome assembly of her companions we have described. → lat [146] But Periergia followed, accompanied by her other servants and her bridal attendants, carefully examining and investigating everything. So the retinue with the maiden approached the summit of the citadel of the sky.

→ lat [147] Suddenly it was announced that Juno, sponsor of divine marriages, was approaching, and in front of her were coming Concord, Faith, and Modesty; → lat [148] as for Cupid, her lure of physical pleasure, although he always flew in front of Juno, yet he did not dare to be amongst those to meet Philology.

→ lat [149] When the goddess came into the bride’s sight, and, as was the custom with a virgin, Philology had made an offering of spices, she spoke to the goddess in these words: “Fair Juno, although the heavenly host has given you a different name, and we call you Juno because of your help,85 from which we also name Jove; or we call you Lucina,86 because you give light to those being born, and it is appropriate to name you Lucetia—for it is not necessary for me to invoke the names Fluvonia, Februalis, and Februa, since I am a virgin and have suffered no physical pollution; mortal brides ought to summon you to their marriages as Iterduca and Domiduca, as Unxia or Cinctia, in order that you may protect their journeys and /51/ bring them into the abodes that they desire; and, when they anoint the doorposts, you should fix a favorable sign thereon; and you should not leave them when they put aside their girdle in the bridal chamber; those whom you protect in the crisis of childbirth will call you Opigena; the common people ought to call you Poplona, and in their battles ought to call upon Curitis; now I call upon you as Hera, named from your kingdom of the air;87 grant my request to know what goes on in the vastness of the sky and in these fields of living souls glowing with conflicting atoms, and which of the deities is said to fly here. I am not asking about that lower level of air, which is traversed by birds, which the crest of Mount Olympus soars above, which is barely ten stades high; I mean the higher air. I think it is now legitimate to see whatever I had understood from my reading Peri eudannonias [about blessedness].”

→ lat [150] Juno did not disdain the prayers of the maiden in her ascent, but led her into the citadels of the sky and from there showed her the main different kinds of spirits. “Those,” she said, “whom we see up there of a fiery or flaming substance, those who wander from the ether itself and from the circuit of the celestial sphere even to the solar sphere, are called gods, and elsewhere they are called inhabitants of heaven, and they dispose the secret workings of hidden affairs. They are the purer ones: the entreaties of human anxieties do not trouble them at all; they are said to be free from suffering.88 In that region Jove is indubitably king. → lat [151] Between the pathway of the sun and the orb of the moon are the deities of the second stage of blessedness, those of almost equal power, through whom prophecies and drcams and portents are disposed. These, by the soothsayer’s art, divide certain prophetic entrails and utter sounds and speak through foretelling omens. Often to those who question them they give advice, either by the course of a star or by the thunderbolt or by some unprecedented sign. → lat [152] Since each one of them serves some one of the gods above, by the power of the superior gods and by the obeisance of the inferior ones a /52/ universal guardian is assigned to all men, a particular Genius89 to each individual, whom they have called the Supervisor because he is to supervise all that is to be done; prayers are made to the Genius of a people when the universal guardian is invoked, and each individual owes obedience to his own supervisor. The spirit is called a genius because he is immediately assigned to a person at the moment when the person is generated. As a guardian and most loyal kinsman, he protects the minds and spirits of all men; → lat [153] and because he announces to a higher power the secrets of their thoughts, he can also be called an angel.90 → lat [154] The Greeks called them all daemones, from the Greek word for ‘distributing,’91 and in Latin they call them medioximi.92 As you see, they are all of a less clear and brilliant nature than the superior gods, yet they are not so corporeal as to be visible to men. → lat [155] Here, then, the Lares live; here, after their union with their bodies, live those purer spirits who, if they are borne aloft by outstanding merits, often even leap beyond the flaming ramparts and the orbit of the sun. → lat [156] There is a space between earth and moon,93 and this space is itself divided into partitions, but the upper section contains those whom they call demigods and who are generally known in Latin as Semones or Semidei.94 These have celestial souls and godlike minds and are born in human form for the good of the whole world. → lat [157] Often by some miracle they gave proof of their celestial nature; as when the night, in service at the conception of Hercules, doubled its length,95 or /53/ when the same infant strangled the serpent and showed the power of his divinity; or when Tages96 sprang from the furrows and immediately demonstrated the ritual of his family and the vessel. Hammon appeared with the horns of a ram97 and showed his clothing of wool and showed to the thirsty people the water of a fountain.

→ lat [158] What am I to say of those who first showed to mortals the uses and outstanding advantages of natural products? For instance, Dionysus’ discovery of the vine at Thebes; and, among the Egyptians, Osiris’ discovery of the use of wine as a drink; Isis taught the cultivation of grain in Egypt; and Triptolemus, in Attica; and the same Isis pointed out the use and cultivation of flax. Italy ascribes to Pilumnus98 the milling of different grains. Greece ascribed medicine to Asclepius. → lat [159] Other humans of this kind were created to practice divination and foreknowledge, such as Carmentis in Arcadia, who got her name from the songs she poured out as prophecies,99 or the Erythraean sibyl who is also the Cumaean sibyl, or the Phrygian. You know that there were not ten of these sibyls, as they say, but two – namely, Herophila, a Trojan, daughter of Marmensus; and Symmachia daughter of Hippotcnsis, who was born at Erythrae but prophesied at Cumae. For this power of divination Amphiaraus and Mopsus100 were celebrated.

→ lat [160] From the middle of the region of the air down to the borders of the mountains and the earth, roam the demigods and Heroes, who are called Heroes because the ancients called the Earth Hera. And there are the Manes, too—that is, guardians assigned to the /54/ human body – who have flowed101 from the seeds of parents. → lat [161] Next, all this expanse of air102 below the moon is under the power of Pluto, who is also called Summanus, being as it were the chief (suvnnus) of the Manes. Here Luna, who is foremost in this air, is called Proserpina. → lat [162] But those Manes, since they are assigned to bodies at the very moment of conception, are attracted by the same bodies also when life is ended; and, remaining with them, are called Lcmurcs.103 If they have profited by honorable conduct in the preceding life, they become Lares of homes and cities; → lat [163] but if they were corrupted by the body, they are called Larvae and Maniac. There are then good Manes as well as fell, whom the Greeks distinguish as good and bad daemons. → lat [164] In these regions also are the lesser Manes and their overseers Mana and Mantuona, gods whom they also call the Dark Ones; then too Fura and Furinna104 and Mother Mania105 and the Furies and other fell deities live here.

→ lat [165] Around the sphere of the earth itself, air, set in motion by the heat above and the exhalations and moisture below, striking the souls with a certain turbulence as they come out of the bodies, does not allow them to fly forth easily. → lat [166] Hence the poet in his sagacity alludes to the Pyriphlegethonian region; and, tossed in this everlasting uproar, the wicked souls which Vedius has condemned, are dashed. [That is, Pluto, whom they also call Dis and Vejovis.]106 → lat [167] Where the earth is inaccessible to men it is crowded with the ancient beings who inhabit the woods and forests, the groves, lakes, springs and rivers—the beings called Pans, Fauns,107 Fones, Satyrs, /55/ Silvani, Nymphs, Fatui and Fatuae108 or Fantuae or even Fanae; Fanes are named after these, whose custom it is to prophesy. All these beings die, just like men, after an extended lifespan; but they have extraordinary powers of foreknowledge, assault, and injury. → lat [168] The divine Genius which attended you while you were still a mortal maiden will remain amongst the first Genii. For behold!109 your Genius, or Vesta, is celestial Juno”;110 speaking now as to an immortal and a goddess, she hade Philology: “Take your seat openly in the council of Jupiter”; and at last she took a portion from the maiden’s box of incense.

→ lat [169] Then the bearers picked up the goddess’ palanquin and with great effort carried her aloft.111 Borne up by their buoyancy they rose 126,000 stades, and completed the first of the celestial tonal intervals; then the maiden entered the circle of the moon, and in those vapors suitable to a goddess, which came from sacrifices close at hand, she saw a soft spherical body composed with the smoothness of dew from heaven, reflecting, like a gleaming mirror,112 the rays of light that fell upon it. → lat [170] In it there appeared the sistra of Egypt, the lamp of Eleusis, Diana’s bow, and the tambours of Cybele. Changing in color, and threefold in form during its cycle, it shone with awesome majesty. Although it was thought to be horned and rough, yet when it emptied itself it showed, according to its season, a cat or a stag, or any of four appearances.113

/56/ → lat [171] After this, by half of the tone by which she got to the moon she came to the circle of the Cyllenian. When she crossed that hemitone a large and joyful crowd of attendants came to meet her, their mistress who was being married. → lat [172] Amongst them a woman of outstanding beauty and appearance, rich in the embellishments of a readv eloquence, greeted the maiden and confidently came forward to kiss her. The crowd of attendants—which, according to a certain Syrian,114 was beyond numbering115 – were surprised that a woman who (the Etruscan claimed) had been married to the Cyllenian, clasped and embraced the maiden with no trace of jealousy. → lat [173] But Eloquence (for that was her name) recalled that she had been born and reared in the house of Philology, and that she was not slighted if her foster mother,116 who constantly provided her with embellishment and sustenance from many disciplines, was preferred to herself.

→ lat [174] There came also a girl of beauty and of extreme modesty, the guardian and protectress of the Cyllenian’s home, by name Themis or Astraea or Erigone;117 she carried in her hand stalks of grain and an ebony tablet engraved with this image:118 → lat [175] In the middle of it was that bird of Egypt which the Egyptians call an ibis. → lat [176] It was wearing a broad-brimmed hat, and it had a most beautiful head and mouth, which was being caressed by a pair of /57/ serpents entwined; under them was a gleaming staff, gold-headed, gray in the middle and black at the foot; under the ibis’ right foot was a tortoise and a threatening scorpion, and on its left a goat. → lat [177] The goat was driving a rooster into a contest to find out which of the birds of divination was the gentler. → lat [178] The ibis wore on its front the name of a Memphitic month.

→ lat [179] When the revered maiden realized that this tablet had been brought for her, although she recognized her bridegroom as the subject of the picture she did not dare to go across to it without a prayer. → lat [180] Then came forward the brightest of Atlas’ daughters,119 who had been exalted both by Jove’s lying with her and by the elevation of her son; she did not think it right to appear without her pair of scales120 even in honor of her daughter-in-law. When the maiden had done homage to her, because Maia acknowledged her as a satisfactory companion for her son, Philology began to pay honor to her together with the Master of Wealth [Mercury] by dedicating two sheep to them.

→ lat [181] Philology ascended rapidly from here and flew by a half tone as far as the circle of Venus; when she had supplicated Venus as much as was appropriate (for Venus looked favorably on the marriage), she is said to have perceived in Venus that, fair though she was, she had her forelocks curled about with snakes and her thick hair121 flowing loosely; but she was mild on meeting her.

→ lat [182] Soon she was eager to make the laborious journey to the sun’s circle—an ascent rendered toilsome by its distance of three half tones, or a tone and a half. → lat [183] She saw there a ship122 which was laden with celestial goods, full of flame, and which controlled according to different appetites the courses of the whole of nature.

/58/ Seven sailors, all alike and all brothers,123 were in charge of it. The image of a cat124 was painted on the prow, a lion125 on the mast, and a crocodile126 on the stern. → lat [184] On that ship a fountain of celestial light poured forth,127 spreading in mystical emanations into lights which illumine the whole world. When she saw this, Philology rose and fervently and devoutly, her eyes half-closed, prayed to the god in these words:

→ lat [185] “You are the exalted power of the Father Unknown, his first offspring, the spark of sensation, source of mind, beginning of light, the ruler of nature, the glory and utterance of the gods, the eye of the universe, the splendor of the shining heaven; you are entitled to behold the Father who transcends the universe,128 to gaze upon the Great God; the circle of ether obeys you, and you govern the celestial bodies with your great circuits; → lat [186] for you alone run a middle course, giving the gods on high a benign temperature, driving and restraining the sacred constellations when you impose law upon the circuits of the gods. → lat [187] It is for this reason that you have the right to travel in the fourth circle, so that this number, perfect in nature, may be approved as yours; do you not bestow upon the two twin tetracjiords a beginning by means of this number?129 → lat [188] You are called in Latin Sol because you are the point of light solus [alone]130 in honor after the Father; they say that vour sacred head bears twelve beams of golden light, because you make the twelve months and the twelve hours of daylight. → lat [189] They sav you guide four winged steeds with reins, because you alone can tame the four-in-hand constituted by the elements. → lat [190] Holding back the shadows, you reveal celestial light; hence, they call you Phoebus, /59/ foretelling the secrets of the future;131 → lat [191] or Lyceus,132 because you annul the actions of the night; the Nile reveres you as Serapis; and Memphis, as Osiris; differing cults revere you as Mithras, Dis, Horus, and Typhon; → lat [192] you are fair Attis, and the bountiful youth with the curved plough,133 and Hammon from parched Libya, and Phoenician Adonis. Thus the whole earth invokes you under different names. → lat [193] Hail, true face of the gods,134 countenance of the Father; your number is 608, and your three letters form the holy name and sign of Mind.135 Father of Mind, allow us to rise to the heavenly assemblies and come to know the starry sky in the power of your sacred name.”

→ lat [194] After this speech she was bidden to pass through the abodes of the gods. But when she ascended a half tone she was delayed by the circle Pyrois,136 where Jove’s greatest son was. → lat [195] From this circle the river Pyriphlegethon was seen to flow to the lower regions. → lat [196] When she had crossed this (for it was no effort137 to cross the space of a half tone), she came to the brightness of Jove’s planet, whose circle rang with Phry gian sound.138 There was a planet whose temperature gave life,139 a constellation flashing with a healthy brightness and gentle gleam; its light, glowing with a mixture of warmth and moisture, was such that it shone with the /60/ peace which good fortune brings. That was truly Jove’s planet; he himself was said to have gone to the celestial senate and the rule of the gods, lighting up all the quarters of the universe. → lat [197] When she went an equal distance beyond this circle, from her lofty position she saw the creator of the gods, stiff with cold and with chill hoarfrost clinging to him; she tried to circle round the planet, which rang with Dorian sound.140 Saturn himself wore now the face of a dragon, now the gaping jaws of a lion, now a crest made of the teeth of a boar. In his raging fury he caused horror and destruction, and his power was reckoned to exceed all others according as the size of his circle exceeded theirs. At length, terrified by the swords and drums, the maiden fled from an encounter she could not endure.

→ lat [198] From there they rose with great effort one and a half tones; in that distance they reached the globe of the celestial sphere itself and the periphery studded with stars. → lat [199] Thus they were worn out with complete exhaustion after so many stades – an ascent of six tones. When they noticed that all that they had traversed gave forth a concord of the whole octave in full and perfect harmony, they were refreshed, and rested a little after their mighty efforts.

→ lat [200] Philology herself leaped down from the palanquin and saw enormous fields of light, the springtime of heavenly peace; she discerned at one moment the many varied aspects of the decan gods; at another moment she wondered at the eighty-four attendants standing by in the heavens;141 she saw besides the shining orbs of a multitude of stars, and the constitution of the celestial circles and their intersections;142 → lat [201] she beheld the very sphere which contains the outermost periphery, driven on at astonishing speed, and the poles, and the quivering axis which from the highest point of heaven pierces the depth of earth and itself makes the whole mass and fabric of heaven revolve; → lat [202] she was aware that the god who was the father143 of such a work and so great a system had withdrawn even from the very acquaintance of the gods, for she knew that he had /61/ passed beyond the felicity that is itself beyond this world, and he rejoiced in an empyrean realm of pure understanding. On her knees144 beside the wall of the outer periphery, concentrating the whole attention of her mind, she prayed long in silence, → lat [203] and according to ancient ritual, uttered certain words with her inner voice, words varying in number according to the practice of different peoples, words of unknown sound, made up of alternating combinations of letters. In these words she paid reverence to the presiding deities of the world of pure understanding, and to their ministers, to whom the powers of the sensible world owe veneration, and to the entire universe contained by the depth of the infinite Father; → lat [204] then she invoked those certain three gods145 and the others who shine on the seventh day and night. → lat [205] She prayed also, according to the mysteries of Plato, to those powers Once and Twice hapax kai dis epekeina,146 to the Maiden of the Source.

→ lat [206] With these prayers she long besought with her whole heart the flower of the fire147 and that truth which arises from nonexistent things (the uncreated truth); then she seemed to perceive that she had earned deification and worship. → lat [207] The incandescence of a milk-white river gradually flowed down from the burning stars. → lat [208] Full of jov and thanksgiving she turned toward the Galaxy, where she knew that Jove had assembled the divine senate. There was the abode of Jove, which, astonishing in size, encompassed the periphery of the universe, surpassed in its brilliant beauty the shining /62/ of the stars, and in the strangeness of its situation cut across the starry circle.148 Moreover, it shone so brightly that one would think it made of silver. There glowed refulgent walls and a white-edged roof, → lat [209] and Jupiter was now sitting there149 with Juno and all the gods, on white benches placed on a great dais, waiting for the nuptial party to approach. He heard the voices of the Muses and the sweet strains of varied songs as the maiden drew near, and so he ordered the Cyllenian to come forward.

→ lat [210] Liber [Bacchus] and the Delian, the Cyllenian’s fondest and loyal brothers, and Hercules, Castor and Pollux, and Gradivus [Mars], and all the divine progeny of Jove were in attendance on him. → lat [211] The guardians of the elements followed the progress of Maia’s son, as did a glorious assembly of angelic beings and the souls of the ancients who had attained celestial bliss and had earned temples in heaven. → lat [212] Linus, Homer, and the Mantuan poet150 were to be seen there, wearing crowns and chanting their poems; Orpheus and Aristoxenus were playing their lyres; Plato and Archimedes made golden spheres rotate. → lat [213] Heraclitus was afire, Thales was soaked with moisture, and Democritus appeared surrounded with atoms. Pythagoras of Samos was cogitating certain celestial numbers. Aristotle with the utmost care was seeking Entelechia throughout the heights of heaven. Epicurus was carrying roses mixed with violets and all the allurements of pleasure.151 Zeno was leading a woman who practiced foresight, Arcesilas was examining the neck of a dove, and a whole crowd of Greeks were singing discordantly; yet, loud as they were, they could not be heard through the harmonious songs of the Muses. → lat [214] As the Cyllenian approached and entered, the whole senate of the gods rose in honor, to his exaltation. Jupiter himself sat him /63/ down next to himself, with Pallas on Mercury’s right. → lat [215] After a brief interval, Philology was brought in, surrounded by the Muses, with her mother walking ahead of her. As she entered and poured out that scented box of perfume upon Vesta, the nurse of the gods, and on Vesta’s servant, the whole celestial array delighted in the Arabian fragrance, and shared it out amongst themselves. → lat [216] Jove ordered the maiden to sit down at his side; but she, ever modest, preferred to sit where she had seen the Muses sitting, away from the company of Pallas. → lat [217] Then her mother arose and asked of Jove and all the gods that whatever Maia’s son had prepared in the way of a dowry should be handed over in the sight of all, and then that a gift should be given by the maiden, and after that, let them permit the recital of the Papian and Poppaean laws.152 → lat [218] In reply to this most reasonable plea, the senate of the gods decreed that the offerings should be approved in the full assembly of heaven. Now Phoebus arose, without usurping his brother’s duty, and he began to bring forward, one by one, chosen members of the Cyllenian’s household, women who shone with a beauty in every way equal to their raiment.

→ lat [219] Reader, we have covered a great part of the story made up of such long and interconnected tales, and the dawn, pressing close upon us, makes the lantern flicker in the half-light; if the dawn were not touching the rooftops with purple,153 making them beautiful with its first breath as it rises and cleaves the windows with light, page after page would make my story longer to cover every aspect. → lat [220] So now the mythical part is ended; the books which follow set forth the arts. With true intellectual nourishment they put aside all fable and for the most part explain serious studies, without however avoiding entertainment. Now you know what will follow, given the goodwill of the heavenly powers and the Muses and the lyre of Latona’s son [Apollo].

[Note a pag. 34]

1 Martianus: fulgentia sidera Pboebo; cf. Manilius Astronomica 1. 652: fulgentia sidera ponto. Torna al testo ↑

2 This is the Corona Ariadnes. Torna al testo ↑

3 Martianus: magno dum complet tecta boatu; cf. Vergil Aeneid 2. 679: gemitu tectum onme replebat; also Aeneid 7. 502: atque imploranti similis tectum omne replebat. Torna al testo ↑

4 Martianus: multa secum ingenti cura anxia retractabat; cf. Ovid Metamorphoses 9. 275: longis anxia curis. Torna al testo ↑

5 According to Remigius, the meaning of the allegory is that Philology beholds Mercury, or eloquence, while she is engaged in mastering the rudiments of grammar and literary studies: in other words, we discover and attain eloquence only through the study of the basic liberal arts. Torna al testo ↑

6 This passage recalls Vergil’s picture of Dido, queen of Carthage, contemplating union with Aeneas in Book 4 of the Aeneid. Torna al testo ↑

[Note a pag. 35]

7 Martianus: non cassa opinatione formidat; cf. Arnobius Adversus nationes 1. 31: rumoris cassi opinatione; and Apuleius Metamorphoses 8. 5: cassa formidine. Torna al testo ↑

8 Martianus: aetherii verticis pennata rapiditas; cf. Apuleius Metamorphoses 6. 30: pinnatam Pegasi vincebas celeritatem. Torna al testo ↑

9 Grotius first discerned that Martianus is referring to the Egyptian god Thouth, who was identified with Mercury; the whole passage is based on the numerical value of the Greek letters in the name θωύθ. The letter at the beginning and the end of the name, the “bounding element,” is θ, which in Greek numeration represents 9. Nine is the terminus of the series 1 to 9, the decad; it is the first such terminus, being prior to that in 19, 29, and so on; it is the perfect terminus, because it is the square of 3, which is itself one of the most highly regarded numbers in ancient numerology. (For further explication, see W. H. Stahl’s Introduction, above, Vol. I, pp. 36-37.) Torna al testo ↑

10 This refers to the number 800, which in Greek is represented by the letter ω; since 8 is the cube of 2, and 100 is the square of 10, their product would obviously be extremely important to numerologists. Torna al testo ↑

11 The “Samian sage” is Pythagoras: the letter alluded to is the Greek Υ, whose forked shape represents the parting of ways and symbolizes the choice between good and evil in human life; its numerical value is 400. See Servius on Aeneid 6. 136; Jerome Letters 107. 6; Lactantius Institutiones divinae 6. 3. 9. Torna al testo ↑

[Note a pag. 36]

12 See Varro De lingua latina 9. 86. The “rule of nine” was known to classical mathematicians. When any number is divided by 9, the remainder is the same as that left when the sum of the digits in the original number is divided by 9. In this instance, 1218 divided by 9 leaves a remainder of 3; likewise the sum of 1, 2, 1, and 8 – that is, 12 – when divided by 9 leaves a remainder of 3. Torna al testo ↑

13 The sum of the numerical values of the letters in the name Philologia in Greek amounts to 724; applying the same procedures as with the name Thouth, we arrive at the number 4. Torna al testo ↑

14 Dick would delete this parenthesis from the text. Torna al testo ↑

15 Past, present, and future. Torna al testo ↑

16 That is, multiplication by 2 and by 3, an even and an odd number. Torna al testo ↑

17 All the numbers from 1 to 10 are made up of the numbers from 1 to 4 or some addition or multiplication amongst them. Furthermore, 1 + 2 + 3 + 4 = 10. Torna al testo ↑

18 Cf. Macrobius Commentary on the Dream of Scipio 1. 6. 40-44; and Saturnalia 1. 19. 14-15. Torna al testo ↑

[Note a pag. 37]

19 The climacteric, or change of life, was believed to occur in the male in the fifty-sixth year, and 56 is the product of 7 and 8, two significant numbers; there are seven planets; the seventh month of gestation was regarded as marking the viability of the human fetus; Martianus brings all this evidence to attest the importance of the number seven, cf. Macrobius Commentary 1. 6. 45-83. For a fuller discussion of the arithmological passages in Martianus, see W. H. Stahl’s comments above, Vol. I, pp. 152-54. Torna al testo ↑

20 Cf. Macrobius Commentary 2. 1. 20. Torna al testo ↑

21 Martianus: flammarum caelestium globos; cf. Vergil Georgies 1. 473: flammarumque globos; and Aeneid 3. 574: globos flammarum. Torna al testo ↑

[Note a pag. 38]

22 Democritus, the atomistic philosopher of the fifth to fourth centuries b.c., who was represented in later Greek writing as a magician; see Albin Lesky, History of Greek Literature, tr. James Willis and Cornells De Heer (London, 1965), p. 340; cf. Pliny Natural History 24. 156, 160. Torna al testo ↑

23 Martianus: lapillis surculisque permixtis; cf. Apuleius Metamorphoses 2. 5: surculis et lapillis. Torna al testo ↑

24 The text of this passage is corrupt and the meaning obscure; as Kopp says “it awaits its Oedipus.” Fiducia, something in which one trusts, I have translated as “a magic preparation.” Colchis, the home of Medea, was renowned for magic and for herbs. Martianus’ words in centum voces continuata [extended to a hundred voices] I have taken to be a periphrasis for the herb centum capita (eryngium campestre), described by Pliny (Natural History 22. 20) as having antivenin, medicinal, and aphrodisiac properties and being of interest to Magi and Pythagoreans. Pliny (24. 157-67) also describes other plants of interest to Pythagoras, Democritus, and Magi; one of these is adamantis (ibid., 162), whose two characteristics are that it cannot be crushed and that it tames lions; impressio, which 1 have translated as “inclusion,” can mean a squeezing or crushing. Pierre Boyancc interprets this passage as a reference to mystic rituals of Neo-pythagoreanism; see “Une allusion a l’oeuf Orphique,” (École française de Rome. Melanges d’archéologie et d’histoire, LII (1935), 95-96. Kopp regards the reference to “a hundred” as a clumsy erudite pun, since one tradition regards Medea’s mother as Hecate, and hecaton is the Greek word for “a hundred.” I have based my translation of this sentence on Boyance, and my translation of the next on Kopp’s paraphrase of it. Torna al testo ↑

25 Philology appears to be preparing an ointment which will protect her from the heat and brilliance through which she must travel, just as Medea prepared an ointment to render Jason invulnerable to fire and thus to protect him from the fire-breathing bulls; or as Phoebus anointed Phaethon with such an ointment to protect him, a mortal, as he drove the chariot of the sun (Ovid Metamorphoses 2. 122-23). Since Philology applies the ointment to her body in the moonlight, there is obviously a connection between this magic and the moon. Torna al testo ↑

26 Martianus: irrorati liquoris allinibat unguentum; cf. Ovid Metamorphoses 1. 371: libatos inroravere liquores. Torna al testo ↑

[Note a pag. 39]

27 The word periergia, in Greek or Latin, means overelaboration, the taking of excessive pains, and is used by Quintilian in reference to rhetorical style (Institutiones Oratoriae 8. 3. 55). It is interesting to note that the term, which in Greek and in Quintilian is pejorative, was apparently highly regarded by Martianus, as reflected in his own labored style and in his use of the term to personify a kinswoman of Philology. Torna al testo ↑

28 Agrypnia [Sleeplessness, or Wakefulness] is mentioned again in § 145. Torna al testo ↑

29 Martianus: paululum conivere; cf. Apuleius Metamorphoses 1. 11: paululum coniveo. Torna al testo ↑

30 Martianus: secretum cubiculi repente Phronesis mater irrupit; cf. Apuleius Metamorphoses 9. 2: cubiculum... protinus inrupissem. Torna al testo ↑

31 The fleece mentioned may be silk: it was believed to grow on trees, and the /39/ brahmins of India were said to wear it – or it may be the produce of the cotton tree mentioned by Pliny (Natural History 12. 21). “The inhabitants of the mountain of shadow” cannot be clearly identified. Torna al testo ↑

[Note a pag. 40]

32 It was a common ancient belief that dead bodies of humans or animals defiled sacred things; cf. Varro De lingua latina 7. 84; Servius on Aeneid 4. 518; Ovid Fasti 1. 629. Torna al testo ↑

33 This picture and its diction recall to some extent Vergil Georgies 3. 318-26. Torna al testo ↑

34 Martianus: pulsant pectora; cf. Lucan Pharsalia 7. 128: pectora pulsant. Torna al testo ↑

35 As at the wedding of Psyche in Apuleius Metamorphoses 6. 24. Torna al testo ↑

36 Compare the content of this hymn with that of 22 above. Urania is usually regarded as the Muse of astronomy. Torna al testo ↑

[Note a pag. 41]

37 Calliope is usually regarded as the Muse of heroic and epic poetry. Torna al testo ↑

38 Magnesia is a peninsula in northeastern Greece closely associated with Mount Olympus, the Vale of Tempe, and the region of Pieria, all haunts of the Muses. Torna al testo ↑

39 The Gorgonian horse was Pegasus; the fountain, Hippocrene – the inspiring fountain of the Muses – which burst forth where Pegasus struck the ground with his hoof. The phrase clearly echoes Juvenal Satires 3. 18. Torna al testo ↑

40 Aonia was a region of Bocotia. The reference is probably to Mount Helicon, sacred to Apollo and the Muses. Torna al testo ↑

41 The ancient seaport for Delphi; cf. above, § 11. Torna al testo ↑

42 Polymnia is usually regarded as the Muse of mime, though this hymn deals mainly with rhythm and scansion. Torna al testo ↑

[Note a pag. 42]

43 Melpomene is usually regarded as the Muse of tragic drama; Martianus appears to associate her with comedy also. Torna al testo ↑

44 The diction echoes Vergil Aeneid 8. 514. Torna al testo ↑

45 Clio is usually regarded as the Muse of history; Martianus associates her with rhetoric. Torna al testo ↑

46 Erato is usually regarded as the Muse of lyric and love poetry. Torna al testo ↑

[Note a pag. 43]

47 The diction echoes Vergil Aeneid 2. 692; and, more closely, Calpurnius Eclogues 1. 86. The hymn as a whole recalls Vergil Georgies 2. 475-82; Ovid Metamorphoses 15. 68-72; and Claudian Panegyric on the Consulship of Flavius Manlius Theodorus 100-12. The tone of all these passages recalls Lucretius, perhaps especially De rerum natura 5. 55-109. Presumably the exposition of the secrets of nature was a cliché among classical versifiers. Torna al testo ↑

48 Terpsichore is usually regarded as the Muse of dance. Torna al testo ↑

49 Martianus: cura vigil; as in Ovid Ars amatoria 3. 411. Torna al testo ↑

50 Martianus: perdia pernoxque; cf. Apuleius Metamorphoses 5. 6: et perdia et pernox. Torna al testo ↑

51 Euterpe is usually regarded as the Muse of flute music. Torna al testo ↑

[Note a pag. 44]

52 In Neoplatonism and certain other forms of ancient belief, the minds and souls of man came from stars and returned to become stars. Torna al testo ↑

53 Martianus: nube remota; as in Marius Victor Alethia 1. 402. Torna al testo ↑

54 Martianus: foedere iungi; cf. Vergil Aeneid 4. 112: foedera iungi. Torna al testo ↑

55 Thalia is usually regarded as the Muse of comedy. Torna al testo ↑

56 Martianus: murus addero Tonanti; cf. Statius Achilleid 1. 655: minis addita ponto. Torna al testo ↑

57 Martianus: ante currum / et candidos iugales; cf. Vergil Aeneid 7. 280: currum geminosque iugalis. Torna al testo ↑

58 See Book I, n. 14. After the discovery of Osiris’ dismembered body, Isis reassembled the fragments with the aid of Thouth, the Egyptian counterpart of Mercury. Torna al testo ↑

59 Osiris in Egyptian mythology gave the world barley, a staple food in Egypt (Diodorus Siculus Bibliotheca historica 1. 14. 1; 1. 15. 56). Torna al testo ↑

60 Juno suckled the infant Mercury. Torna al testo ↑

61 Mercury’s staff. He is said to have separated with this staff two snakes that he found fighting (Hyginus Astronomica 2. 7). This is allegorized as the power of eloquence in settling quarrels, which is Martianus’ theme here. Editors refer to Vergil Eclogues 8. 71; Ovid Metamorphoses 7. 203; and other passages which express the ancient belief that serpents could be destroyed by magical /45/ incantations; but this seems inappropriate here. Martianus’ language is typically tortuous (lit. “by his powerful wand dread poison is amazed; all venom makes a twin orb for him when he speaks”); yet the last two clauses seem to imply reconciliation rather than destruction. Torna al testo ↑

[Note a pag. 45]

62 Nus [Nous]: this word, which commonly means the divine Mind (Neoplatonic terminology), is not found with the simple meaning of “intelligence” elsewhere in Latin. Torna al testo ↑

63 Martianus: circumspectione cautissima; cf. Apuleius Metamorphoses 11. 19: cautoque circumspectu. Torna al testo ↑

64 Philosophy. Torna al testo ↑

65 See Cicero De natura deorum 2. 62, and De legibus 2. 19, for the belief that humans may be admitted to heaven and the company of the gods for exceptional merit. Torna al testo ↑

[Note a pag. 46]

66 Martianus: ut laetos oculis afflaret honores; cf. Vergil Aeneid i. 591: et laetos oculis adflarat honores. Torna al testo ↑

67 The scene is reminiscent of Horace Odes 1. 4. 6-7. Torna al testo ↑

68 Martianus: Et ‘heus’ inquit, ‘virgo’ cf. Apuleius Metamorphoses 9. 33: Et ‘heus’ inquit, ‘puer’ Torna al testo ↑

69 Martianus: nulli fas attractare terrigenae; cf. Vergil Aeneid 2. 719: attrectare nefas. Torna al testo ↑

70 Et cum dicto. This is an unusual phrase, also used by Apuleius (Metamorphoses 2. 5, and elsewhere). Torna al testo ↑

[Note a pag. 47]

71 Martianus: Cernere erat; cf. Vergil Aeneid 6. 596: cernere erat. Torna al testo ↑

72 Presumably the Egyptian hieroglyphs (see Tacitus Annals 11. 14). The belief that learning, especially in religious matters, originated with the Egyptians, was widespread in the Greek and Roman world, and finds frequent expression in Herodotus Histories (esp. 2. 4,50-51,77,82) and Diodorus Siculus Bibliotheca historica 1. 9. 6; 1. 10. 2. Martianus has already subscribed to this belief in § 102; see also Book I, n. 128. Torna al testo ↑

73 Cf. Diodorus Siculus Bibl. hist. 1. 27. 2-6, where the steles of Isis and Osiris are described. Torna al testo ↑

[Note a pag. 48]

74 Martianus: exhausto pallore confecta; cf. Apuleius Metamorphoses 5. 22: marcido pallore defecta. Torna al testo ↑

75 Much of the diction in this solemn scene echoes the very bawdy scene in Apuleius Metamorphoses 2. 16; however the occasion closely resembles ibid. 6. 23, where Jupiter gives Psyche the cup of immortality at her wedding to Cupid. Torna al testo ↑

76 For the mystical significance of the egg in ancient religion, see Macrobius Saturnalia 7. 16. 2-8; and W. K. C. Guthrie, Orpheus and Greek Religion (London, iY52), pp. 92-94; on this passage in particular, see the article by Boyance mentioned above, n. 24; he interprets this as a Neopythagorean ritual. Torna al testo ↑

[Note a pag. 49]

77 minima. Willis suggests munimina; the sense would then be “defenses.” Torna al testo ↑

78 Vediovis, i.e., Pluto. Torna al testo ↑

79 Much of Roman religion was drawn from Etruscan beliefs. Torna al testo ↑

80 Typical examples of forms of purification; see Kopp, ad loc. Torna al testo ↑

81 See Servius on Aeneid 4. 654 for the belief that, besides body and soul, man has his “shade” or simulacrum, a slightly corporeal image of the body which survives for some time after death; cf. Franz Cumont, After Life in Roman Paganism (New York, 1959), pp. 166-69. Torna al testo ↑

82 Probably the Neoplatonist Iamblichus; cf. § 172. Torna al testo ↑

83 This piece of Martianic tortuousness seems to mean that Philology, unlike Pelias (king of Colchis and Medea’s father), will not die and pass through Charon’s hands to immortality of an inferior kind; rather, she will pass directly to immortality with the gods. Torna al testo ↑

84 The speech of Pausanias in Plato’s Symposium (esp. 18od-181c) distinguishes two types of love, one noble and one sordid. This distinction, with varying interpretations of each type, persists throughout antiquity; cf. Apuleius Apologia 12 and De Platone 2. 14. Torna al testo ↑

[Note a pag. 50]

85 The Latin verb “to help” is juvare. Torna al testo ↑

86 For the manifold epithets of Juno, cf. Augustine City of God 7. 3, based on Varro. Lucina, Lucetia: derived from lux [light]. Fluvonia: derived from fluere [to flow] and connected with the menstrual flow. It was believed that this flow ceased during pregnancy because it was diverted to nourish the fetus; hence, Juno Fluvonia is a patroness of pregnancy, and inappropriate for a virgin to invoke. See Festus De verborum significatu (ed. Lindsay), 42 M; and Augustine loc. cit. My thanks are due to Professor G. W. Clarke for assistance with this explanation. Februalis, Februa: derived from februare [to purify]. Interduca, Domiduca: derived from ducere [to lead] on a journey (iter) or home (domus). Unxia: derived from ungere, or unguere [to smear, to anoint]. Cinctia: derived from cingere [to encircle, to bind]. Opigena: derived from ops [strength, aid] and gignere [to beget, to bring forth]. Poplona: apparently derived from populus [the people]; though Lewis and Short derive Populonia from populari [to devastate, to lay waste]. Curitis: derived from curis [a dpear]. Torna al testo ↑

[Note a pag. 51]

87 The Latin Juno is identified with the Greek Hera. In Greek script, the same three letters form the name Hera and the word for air. Torna al testo ↑

88 Augustine (City of God 7. 6) quotes similar views of Varro; cf. also Cicero De natura deorum 2. 3. 7; Apuleius De deo Socratis 6. 132-34; and 16. 154-56. The theology of this speech is discussed at length by Robert Iurcan, “Martianus Capella et Jamblique,” Revue des études latines, XXXVI (1958), 235-54. Torna al testo ↑

[Note a pag. 52]

89 Cf. Augustine City of God 7. 13 (quoting Varro) and Apuleius De deo Socratis 15. 151; also mentions of Genius in § § 46-60 above. Torna al testo ↑

90 Etymologically, the word angel means “messenger.” Torna al testo ↑

91 apo tou daiomenou. That is, from the Greek verb daiomai. Cf. Chalcidius Commentarius in Platonis Timaeum 132; Servius on Vergil Aeneid 3. 51. Torna al testo ↑

92 The intermediate gods; cf. Apuleius De Platone 1. 2. Torna al testo ↑

93 Cf. Lucan Pharsalia 9. 5-9; Apuleius De deo Socratis 6. 132ff.; Servius on Aeneid 8. 275. Torna al testo ↑

94 There seems to be no significant difference of terminology between these demigods (Semidei) and those mentioned in § 160 (hemithei) – except that the first term is Latin, the second Greek. Turcan (pp. 246-47) explains this as an attempt by Martianus’ source (probably Cornelius Labeo) to include Etrusco-Roman religious figures and concepts within a Greek framework borrowed from Iamblichus. Torna al testo ↑

95 Martianus: geminatae noctis; cf. Seneca Agamemnon 815: geminavit horas roscidae noctis. Jupiter, in begetting Hercules, prevented the dawn from breaking and doubled the length of the night. Torna al testo ↑

[Note a pag. 53]

96 Tages was the son of a god and taught divination to the Etruscans; according to Etruscan legend, he sprang from the earth when a ploughman one day ploughed too deep a furrow; cf. Cicero De divinatione 2. 50. The reference to the ritual and the vessel is obscure, and the text seems to be corrupt at this point. Torna al testo ↑

97 Hammon, or Ammon, was an epithet of Zeus as worshiped in Egypt and Libya; Zeus Ammon was represented with ram’s horns. Sec Herodotus Histories 4. 181; Macrobius Saturnalia 1. 21. 19. Torna al testo ↑

98 The name is derived from pilum [a pestle]. Cf. Servius on Aeneid 9. 4; 10. 76; Varro, cited in Nonius Marcellus De compendiosa doctrina 12. 528; and in Augustine City of God 6. 9. Torna al testo ↑

99 The name is said to be derived from carmen [a song, a prophetic chant]. She is said to have been the mother or grandmother of Aeneas’ contemporary Evander and to have prophesied the Trojan settlement in Italy; cf. Ovid Fasti 1. 461-538; Servius on Aeneid 8. 51. Torna al testo ↑

100 Cf. Apuleius De deo Socratis 154. Torna al testo ↑

[Note a pag. 54]s

101 The name is derived from an old Latin word manus [good], but Martianus appears to derive it from manare [to flow, to tricklej. Torna al testo ↑

102 Cf. Varro, cited in Augustine City of God 4. 10. Torna al testo ↑

103 Cf. Augustine City of God 9. 11; Apuleius De deo Socratis 152-53; Nonius Marcellus 135. Torna al testo ↑

104 A very obscure Italic goddess, according to Varro De lingua latina 6. 19; Cicero (De natura deorum 3. 46) connects her with the Eumenides (the Furies). Torna al testo ↑

105 Originally a deity requiring human sacrifice. Sec Macrobius Saturnalia 1. 7. 35. Torna al testo ↑

106 This parenthesis is bracketed by Dick as not part of the original text. Torna al testo ↑

107 Martianus: Panes, Fauni, Fones, Satyri, Silvani, Nympbae...; cf. Ovid Metamorphoses 1. 192-93: sunt rustica numina, nympbae / faunique satyrique et monticolae Silvani; also Ovid Ibis 81-82: Fauni Satyrique Laresque / fluminaque et nympbae.... Torna al testo ↑

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108 Identified (in the singular) with Faunus and Fauna by the First Vatican Mythographer, 227. Torna al testo ↑

109 eccam: a word from Roman comedy. Torna al testo ↑

110 The identification of Genius with Vesta is unusual; this translation follows Kopp. Cf. § 215. Torna al testo ↑

111 For the astronomical technicalities of Philology’s ascent, cf. Pliny Natural History 2. 84 (citing Pythagoras), and Macrobius Commentary 2. 3. 13-16 (citing Archimedes and, in opposition, Platonist views). Torna al testo ↑

112 Martianus: instar speculi praenitentis; cf. Apuleius De mundo 16. 323: ad instar speculi. The whole passage resembles the apparition of Isis to Lucius in Apuleius Metamorphoses 11. 3-4. Torna al testo ↑

113 The spherical body is the moon; its three forms during its cycle are its waxing crescent, the full moon, and the waning crescent. The cults of Isis, Ceres, Diana, and Cybele are all associated with the moon; and the shapes of the moon – crescent, half, gibbous, and full – appear to be the object of Martianus reference to bow, lamp, tambour, and sistra. For a description of the sistrum and its mystical significance, including its connection with the cat and the moon, /56/ see Plutarch On Isis and Osiris 376d-e, and Apuleius Metamorphoses 11. 3. The moon was believed to contain water and to empty itself periodically onto earth, bringing dew; and in its seasons various shapes, like our “man in the moon,” were discerned in it – for instance, a cat (sacred to Isis) and a stag (sacred to Diana). Torna al testo ↑

[Note a pag. 56]

114 Turcan (p. 239) takes this to be Iamblichus, characteristics of whose demonology are its wealth of categories and its mathematical elaboration. Torna al testo ↑

115 innumera [duorum milium deleted by Dick]. Willis suggests in numero duorum milium; the meaning would then be “two thousand.” Torna al testo ↑

116 Only Martianus and Isidore appear to use alumnus in this active sense. Torna al testo ↑

117 This figure is identified by Hyginus (Astronomica 2. 25) with the zodiacal sign Virgo. Torna al testo ↑

118 This elaborate description of an engraved tablet parallels Apuleius’ description of a statue of Diana, in Metamorphoses 2. 4. For the connection between the ibis and the Egyptian Thouth or Mercury, see Plato Phaedrus 274c-d, and Hyginus Astronomica 2. 28. The symbolism of this passage is discussed at length by Waldemar Deonna, Mercure et le scorpion (Collections Latomus, 37; Brussels, 1959). Torna al testo ↑

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119 The brightest of the Pleiades – Maia. Torna al testo ↑

120 bilanx. This word does not occur elsew here in Latin. The reference is probably to the role of Mercury’s mother, Maia, as copatron, with him, of merchants. Cf. Macrobius Sattirnalia i. 12. 9. Torna al testo ↑

121 capillitium. This word occurs in Latin only here and in § 371 and once in Apuleius. The text of this passage is extremely corrupt, and this translation is a paraphrase of what it seems to mean. Torna al testo ↑

122 The vehicle of the sun, according to Egyptian legend; Plutarch On Isis and Osiris 34; cf. Philostratus Life of Apollonius of Tyana 2. 1. 35, for a comparison of the universe to a ship; see also Cumont, After Life in Roman Paganism, pp. 93-94. Torna al testo ↑

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123 Probably the sun, the moon, and the five planets then known; though some commentators have said these were the days of the week. See Kopp, ad loc. Torna al testo ↑

124 Symbol of the moon. Torna al testo ↑

125 Symbol of the sun. Torna al testo ↑

126 Symbol of time. Torna al testo ↑

127 Cf. Macrobius Commentary 1. 20. 3. Torna al testo ↑

128 The supreme deity; cf. Apuleius De dogmate Platonis 1. 11. Torna al testo ↑

129 Conjunct tetrachords form an octave, the fourth note being the last of one tetrachord and the first of the other. Torna al testo ↑

130 The derivation from solus is common (cf. Cicero De natura deorum 2. 68; Macrobius Saturnalia 1. 17. 7), but false; there is no etymological connection between the words. Torna al testo ↑

[Note a pag. 59]

131 The Greek name for the sun god is simply the Greek adjective φοῖβος [bright]; contrary to Martianus’ explanation, it has no connection with prophecy. Torna al testo ↑

132 This title, which is also Greek, may be connected with the stem λυκ- or λευκ-, Latin luc- [light]; with this whole passage, cf. Macrobius Saturnalia 1. 17. 33, 36-Z7; 1. 20. 18; 1. 21. 1, 9, 11, i3, 19. Torna al testo ↑

133 Osiris. Cf. Vergil Georgies 1. 19; Tibullus Carmina 1. 7. 24-32. Torna al testo ↑

134 Martianus: Salve vera deum facies; cf. Vergil Aeneid 8. 301: Salve vera Iovis proles. Torna al testo ↑

135 Phre is an Egyptian sun-god; in Greek script φρη has the numerical value 608. Because of the closeness of φρη to φρῆν [mind], it was possible by ancient standards of etymology to presume a connection between the sun and the divine Mind, which suited Neoplatonic cosmology. Torna al testo ↑

136 Mars. “The circle of Pyrois” would be the normal English, but Martianus appears to use the nominative case and give the name to the circle. Torna al testo ↑

137 Martianus: Neque enim labor fuerat; cf. Vergil Aeneid it. 684: Neque enim labor; both phrases begin parentheses. Torna al testo ↑

138 Dick accepts Kopp’s addition of pbrygio, based on Pliny Natural History 2. 84, where Pliny says that “Saturn moves with a Dorian sound, Jupiter with Phrygian.” Dorian and Phrygian are two of the modes of ancient music. Torna al testo ↑

139 Jupiter, whose location between the heat of the sun and the cold of Saturn, caused it to be regarded as temperate. Torna al testo ↑

[Note a pag. 60]

140 See n. 138 above; this is the planet Saturn. Torna al testo ↑

141 Robert Turcan here discerns a clear influence of the theology of Iamblichus; see “Martianus Capella et Jamblique,” Revue des études latines, XXXVI (1958), 237-39. Torna al testo ↑

142 Circles like the ecliptic, the zodiac, the Milky Way, and the colures, since they run slantwise or at right angles, intersect the parallels. Torna al testo ↑

143 This is presumably the “Father Unknown” mentioned in § 185 above. Torna al testo ↑

[Note a pag. 61]

144 The diction and the scene recall the depiction of Psyche in Apuleius Metamorphoses 6. 3. Torna al testo ↑

145 The Neoplatonic One, Mind, and World Soul; cf. Plotinus Enneads 5. 1. 1; and Kopp, ad loc.; also Macrobius Commentary 1. 14. 6-9. Torna al testo ↑

146 See Pierre Courcelle, Les Lettres grecques en Occident de Macrobe à Cassiodore, rd ed. (Paris, 1948), p. 202 and nn. 7-10, for references and a summary of this discussion; Martianus is here expressing a Chaldaean element in Neoplatonism which ascribes the origin of all things to Hecate (under the title of Dis epekeina, which I have translated as “twice”) and the Originators (Plegaioi Pateres), under the title of Hapax epekeina, which I have translated as “Once”); in numerology these are the monad and the dyad, the numbers one and two, from which all numbers – and therefore all things, according to ancient numerological belief – are derived. Torna al testo ↑

147 The purest part of the flame; hence, the substance from which souls are made. Torna al testo ↑

[Note a pag. 62]

148 With this description of the Milky Way, cf. Macrobius Commentary 1. 15. 1-7. Torna al testo ↑

149 Martianus: in suggestu maximo... residens; cf. Apuleius Metamorphoses 3. 2: sublimo suggestu magistratibus residentibus. Torna al testo ↑

150 Vergil. Torna al testo ↑

151 Heraclitus believed that all things were derived from fire; Thales believed, from water; Democritus, from atoms; Pythagoras, from numbers. Aristotle emphasizes the distinction between potentiality and actuality (entelecheia). Epicurus taught that pleasure was the supreme good and the guiding principle of conduct. Belief in a “paradis des intellectuels” was common in the fourth century; see Courcelle, pp. 35, 199, 204. Torna al testo ↑

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152 The Roman codifications of marriage laws in the time of Augustus (a.d. 9). Torna al testo ↑

153 Martianus: ac ni rosetis purpuraret culmina Aurora; cf. Apuleius Metamorphoses 6. 24: Horae rosis et ceteris floribus purpurabant omnia. Torna al testo ↑